Study the long term effects of frequent exposure to high sound levels on hearing status in orchestral musicians. To assess the hearing condition, several clinically available tests will be used, but for the assessment of diplacusis a new test is…
ID
Source
Brief title
Condition
- Hearing disorders
Synonym
Research involving
Sponsors and support
Intervention
Outcome measures
Primary outcome
Long-term effects will be assessed in terms of changes in pure tone audiograms,
speech-reception threshold in noise, OAE-grams, subjective and objective
tinnitus perception, subjective judgement of suffering from diplacusis, and
objective diplacusis measures in professional musicians in a period of 12
years.
Secondary outcome
Reference values for diplacusis at 500, 1000, 4000 and 6000 Hz (means and
standard deviations) and reproducibility of the test will be assessed for
normal-hearing listeners.
Background summary
Exposure to excessive noise can contribute to temporary or permanent threshold
shifts, where also temporal threshold shifts may lead to permanent hearing loss
if the ear has not given change to recover. Although music is perceived as
pleasant sounds, frequent and loud exposure to music also carries risk of
damage to the auditory system, which is considered equally high as the risk due
to noise exposure. Professional musicians whose job exposes them to excessively
high sound levels during orchestral ensembles, trainings and individual
practice, are therefore at risk of developing hearing loss, known as music
induced hearing loss.
Study objective
Study the long term effects of frequent exposure to high sound levels on
hearing status in orchestral musicians. To assess the hearing condition,
several clinically available tests will be used, but for the assessment of
diplacusis a new test is required, that has been developed recently and still
needs validation. An additional objective of this study is to validate the
diplacusis test and assess its reproducibility in normal hearing listeners,
before the diplacusis test will be applied in the main study on orchestral
musicians.
Study design
This study is designed as a prospective, observational study divided in two
parts; first the validation and reproducibility of a new diplacusistest (N=18).
The second part (N=45) is the part where the hearing of professional musicians
is monitored and changes over a period of 10 - 12 years are researched.
Study burden and risks
The risk of participating in this study is negligible since the tests that will
be executed are similar or equal to those used in clinical practice. The
participant*s main burden is the time it takes to visit the AMC, which will be
only one hour for part 1 and two hours for part 2. The participants take part
once in the study. Hence, the burden of the participants is minimal.
Meibergdreef 9
Amsterdam 1105 AZ
NL
Meibergdreef 9
Amsterdam 1105 AZ
NL
Listed location countries
Age
Inclusion criteria
Normal hearing participants
- Aged between 18-75 years old
- No reports of tinnitus
- Hearing thresholds of 15 dB HL or better at octave frequencies between 0.25 and 8 kHz of both ears;Musicians:
- Participants must have previously participated in the study conducted by E.J.M.Jansen in 2005 * 2006.
- Currently employed as professional musician
Exclusion criteria
If the subject for whichever reason cannot participate in the test. Examples include
problems with concentration.
Design
Recruitment
Followed up by the following (possibly more current) registration
No registrations found.
Other (possibly less up-to-date) registrations in this register
No registrations found.
In other registers
Register | ID |
---|---|
CCMO | NL65018.018.18 |